A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 389
... reasons ( or critical reasons in a strict sense ) be those that are reasons in both of the senses just distinguished . A relevant reason is one that pro- vides support to the value - judgment for which it is a reason and also helps to ...
... reasons ( or critical reasons in a strict sense ) be those that are reasons in both of the senses just distinguished . A relevant reason is one that pro- vides support to the value - judgment for which it is a reason and also helps to ...
Pagina 392
... reasons . They would consider me wholly arbitrary in ruling them out . This challenge leads into the fourth question I intend to raise here : What good ( philosophical ) reason is there for holding that any particular ( critical ) reason ...
... reasons . They would consider me wholly arbitrary in ruling them out . This challenge leads into the fourth question I intend to raise here : What good ( philosophical ) reason is there for holding that any particular ( critical ) reason ...
Pagina 394
... reason , it is an affective reason . And since it does not say what in the work makes it good , but itself has to be explained by what is in the work ( which is shocking because of the nudity or the sadism or whatever ) , it is not a ...
... reason , it is an affective reason . And since it does not say what in the work makes it good , but itself has to be explained by what is in the work ( which is shocking because of the nudity or the sadism or whatever ) , it is not a ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York