A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 143
... relationship . To put one's hand in the fire that consumes it is not necessarily to have an ex- perience . The action ... relation to the whole that he desires to produce . To apprehend such relations is to think , and is one of the most ...
... relationship . To put one's hand in the fire that consumes it is not necessarily to have an ex- perience . The action ... relation to the whole that he desires to produce . To apprehend such relations is to think , and is one of the most ...
Pagina 350
... relation of such a kind . On the contrary , it describes a personal relation , often highly emotionally colored , but of a peculiar character . Its peculiarity lies in that the personal character of the relation has been , so to speak ...
... relation of such a kind . On the contrary , it describes a personal relation , often highly emotionally colored , but of a peculiar character . Its peculiarity lies in that the personal character of the relation has been , so to speak ...
Pagina 484
... relations of production are the last antagonistic form of the social process of production - antagonistic not in the ... relation of Greek art and of that of Shakespeare's time to our own . It is a well known fact that Greek mythology ...
... relations of production are the last antagonistic form of the social process of production - antagonistic not in the ... relation of Greek art and of that of Shakespeare's time to our own . It is a well known fact that Greek mythology ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York