A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 247
... representation . But this is not what I mean ; not even secret or disguised representation . Many works represent nothing whatever . A building , a pot , a tune is usually beautiful without inten- tionally representing anything ; and ...
... representation . But this is not what I mean ; not even secret or disguised representation . Many works represent nothing whatever . A building , a pot , a tune is usually beautiful without inten- tionally representing anything ; and ...
Pagina 292
... representation of three - dimensional space is to be called " representation , " then I agree that there is one kind of representation which is not irrelevant . Also , I agree that along with our feeling for line and color we must bring ...
... representation of three - dimensional space is to be called " representation , " then I agree that there is one kind of representation which is not irrelevant . Also , I agree that along with our feeling for line and color we must bring ...
Pagina 525
... Representation , Relativism and Resemblance . " BJA 11 ( 1971 ) . Maritain , Jacques . Art and Scholasticism . New York : Scribner , 1930 . Creative Intuition in Art and Poetry . New York : Pantheon , 1953 . McKeon , Richard P ...
... Representation , Relativism and Resemblance . " BJA 11 ( 1971 ) . Maritain , Jacques . Art and Scholasticism . New York : Scribner , 1930 . Creative Intuition in Art and Poetry . New York : Pantheon , 1953 . McKeon , Richard P ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York