A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 121
... Rhythm secures the heightening of physiological consciousness so as to shut out sensory perception of the environment . In the rhythm of dance , music or song we become self - conscious instead of conscious . The rhythm of heart - beat ...
... Rhythm secures the heightening of physiological consciousness so as to shut out sensory perception of the environment . In the rhythm of dance , music or song we become self - conscious instead of conscious . The rhythm of heart - beat ...
Pagina 226
... rhythm , at times so fascinating to observe , is enough to convince us that a dance can be performed without music and without loss of its characteristic beauty . The kinship of the two arts explains the frequency of their associa- tion ...
... rhythm , at times so fascinating to observe , is enough to convince us that a dance can be performed without music and without loss of its characteristic beauty . The kinship of the two arts explains the frequency of their associa- tion ...
Pagina 255
... rhythms , moreover , are subject to the laws of speech and of concrete literary sense . The real medium of literature is language , as shaped by the literary imagination . One of the expressive elements of language is rhythm , which is ...
... rhythms , moreover , are subject to the laws of speech and of concrete literary sense . The real medium of literature is language , as shaped by the literary imagination . One of the expressive elements of language is rhythm , which is ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York