A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 204
... Sculpture is carving a solid , we are told , and painting the application of a design to a surface . It follows from these definitions that Ghiberti's " Gates of Paradise " and Filarete's bronze doors of St. Peter's are sculpture . To ...
... Sculpture is carving a solid , we are told , and painting the application of a design to a surface . It follows from these definitions that Ghiberti's " Gates of Paradise " and Filarete's bronze doors of St. Peter's are sculpture . To ...
Pagina 459
... sculpture , " and since such utterances are perfectly intelligible , it follows that some nonartifacts such as certain pieces of driftwood are works of art ( sculptures ) . In other words , something need not be an artifact in order to ...
... sculpture , " and since such utterances are perfectly intelligible , it follows that some nonartifacts such as certain pieces of driftwood are works of art ( sculptures ) . In other words , something need not be an artifact in order to ...
Pagina 460
... sculpture " is intelligible does not prove what Weitz wants it to prove . Weitz would have to show that " sculpture " is being used in the sentence in question in the classificatory sense , and this he makes no attempt to do . My ...
... sculpture " is intelligible does not prove what Weitz wants it to prove . Weitz would have to show that " sculpture " is being used in the sentence in question in the classificatory sense , and this he makes no attempt to do . My ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York