A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 198
... seems obvious , when once pointed out , that things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on and say that ...
... seems obvious , when once pointed out , that things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on and say that ...
Pagina 265
... seems . Not only temporal succession , but such attributes as intensity , volume , simplicity or complication , smooth or impeded change , rest or agitation , are habitually predicated of both physical facts and mental facts ...
... seems . Not only temporal succession , but such attributes as intensity , volume , simplicity or complication , smooth or impeded change , rest or agitation , are habitually predicated of both physical facts and mental facts ...
Pagina 343
... seems to be regarded as the presentation of an indefinite concept of Understanding , the Sublime as that of a like concept of Reason . Therefore , the satisfaction in the one case is bound up with the representation of quality in the ...
... seems to be regarded as the presentation of an indefinite concept of Understanding , the Sublime as that of a like concept of Reason . Therefore , the satisfaction in the one case is bound up with the representation of quality in the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York