A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 342
... sense , we have grounds for assuming this latter . And this common sense is assumed without relying on psychological observations , but simply as the necessary condition of a universal communicability of our knowledge , which is pre ...
... sense , we have grounds for assuming this latter . And this common sense is assumed without relying on psychological observations , but simply as the necessary condition of a universal communicability of our knowledge , which is pre ...
Pagina 460
... senses of " work of art , " an evaluative sense and a classificatory one ; Weitz himself distinguishes these in his article as the evaluative and the descriptive senses of art . My earlier argument was that if there is more than one sense ...
... senses of " work of art , " an evaluative sense and a classificatory one ; Weitz himself distinguishes these in his article as the evaluative and the descriptive senses of art . My earlier argument was that if there is more than one sense ...
Pagina 461
... sense if the driftwood shared a number of properties with some paradigm work of art and the evaluative sense if the shared properties were found to be valuable by the speaker . Sclafani gives a case in which only the evaluative sense ...
... sense if the driftwood shared a number of properties with some paradigm work of art and the evaluative sense if the shared properties were found to be valuable by the speaker . Sclafani gives a case in which only the evaluative sense ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York