A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 123
... similar fondness for bad novels on the part of so many great poets . This difference between the technique of poetry and the novel determines the difference between the spheres of the two arts . 2 What is the basis of literary art ...
... similar fondness for bad novels on the part of so many great poets . This difference between the technique of poetry and the novel determines the difference between the spheres of the two arts . 2 What is the basis of literary art ...
Pagina 398
... similar as the critical writings of Kant and the Pensées of Pascal . On the plane of personal psychology , there are no people more different than the poet , who creates particular beings and things , and the philoso- pher , who thinks ...
... similar as the critical writings of Kant and the Pensées of Pascal . On the plane of personal psychology , there are no people more different than the poet , who creates particular beings and things , and the philoso- pher , who thinks ...
Pagina 469
... similar present - day developments which have served to bring the institutional nature of art to our attention sug- gest several questions . First , if Duchamp can convert such artifacts as a urinal , a snow shovel , and a hatrack into ...
... similar present - day developments which have served to bring the institutional nature of art to our attention sug- gest several questions . First , if Duchamp can convert such artifacts as a urinal , a snow shovel , and a hatrack into ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York