A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 124
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social rela- tions of that age . For the experience of men in general is determined in general by the social relations ...
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social rela- tions of that age . For the experience of men in general is determined in general by the social relations ...
Pagina 395
... social group ; and , when the work with which we are con- cerned is of particular importance , this behaviour is that of a whole social class . . The multiple and complex phenomenon of the relationship which each individual has with his ...
... social group ; and , when the work with which we are con- cerned is of particular importance , this behaviour is that of a whole social class . . The multiple and complex phenomenon of the relationship which each individual has with his ...
Pagina 483
... SOCIAL , Political , AND CULTURAL PROCESSES OF LIFE In the social production which men carry on they enter into definite rela- tions that are indispensable and independent of their will ; these relations of production correspond to a ...
... SOCIAL , Political , AND CULTURAL PROCESSES OF LIFE In the social production which men carry on they enter into definite rela- tions that are indispensable and independent of their will ; these relations of production correspond to a ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York