A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 317
... style " or the " style of civilization . " For the archeologist , style is exemplified in a motive or pattern , or in some directly grasped quality of the work of art , which helps him to localize and date the work and to establish ...
... style " or the " style of civilization . " For the archeologist , style is exemplified in a motive or pattern , or in some directly grasped quality of the work of art , which helps him to localize and date the work and to establish ...
Pagina 318
... style or specific traits . The historical study of individual and group styles also discloses typical stages and processes in the development of forms . For the synthesizing historian of culture or the philosopher of history , the style ...
... style or specific traits . The historical study of individual and group styles also discloses typical stages and processes in the development of forms . For the synthesizing historian of culture or the philosopher of history , the style ...
Pagina 319
... Styles are not usually defined in a strictly logical way . As with languages , the definition indicates the time and place of a style or its author , or the historical relation to other styles , rather than its peculiar features . The ...
... Styles are not usually defined in a strictly logical way . As with languages , the definition indicates the time and place of a style or its author , or the historical relation to other styles , rather than its peculiar features . The ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York