A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
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Pagina 180
... sublime is an act . This act is neces- sarily pleasant , for if it were not the sublime would be a bad quality and one we should rather never encounter in the world . The glorious joy of self- assertion in the face of an uncontrollable ...
... sublime is an act . This act is neces- sarily pleasant , for if it were not the sublime would be a bad quality and one we should rather never encounter in the world . The glorious joy of self- assertion in the face of an uncontrollable ...
Pagina 181
... sublime depended upon the suggestion of evil for its effect . But the sublime is not the ugly , as some descriptions of it might lead us to suppose ; it is the supremely , the intoxicatingly beautiful . It is the pleasure of ...
... sublime depended upon the suggestion of evil for its effect . But the sublime is not the ugly , as some descriptions of it might lead us to suppose ; it is the supremely , the intoxicatingly beautiful . It is the pleasure of ...
Pagina 343
... Sublime , on the other hand , is to be found in a formless object , so far as in it or by occasion of it boundlessness is repre- sented , and yet its totality is also present to thought . Thus the Beautiful seems to be regarded as the ...
... Sublime , on the other hand , is to be found in a formless object , so far as in it or by occasion of it boundlessness is repre- sented , and yet its totality is also present to thought . Thus the Beautiful seems to be regarded as the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York