A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 69
... taste ; whereas bitter , as predicated of a taste , is the name not of a capacity or power of that taste , but of that taste quality itself . 7. Aesthetic contemplation . A listener who is attending to the music with interest in its ...
... taste ; whereas bitter , as predicated of a taste , is the name not of a capacity or power of that taste , but of that taste quality itself . 7. Aesthetic contemplation . A listener who is attending to the music with interest in its ...
Pagina 341
... taste requires the agreement of everyone ; and he who describes anything as beautiful claims that everyone ought to give his approval to the object in question and also describe it as beautiful . The ought in the esthetical judgment is ...
... taste requires the agreement of everyone ; and he who describes anything as beautiful claims that everyone ought to give his approval to the object in question and also describe it as beautiful . The ought in the esthetical judgment is ...
Pagina 507
... taste has often been excellent and sure . Le Corbusier has been very ingenious in picking out manifold objects , buried from observation by their very ubiquity , in which this mechanical excellence of form has manifested itself without ...
... taste has often been excellent and sure . Le Corbusier has been very ingenious in picking out manifold objects , buried from observation by their very ubiquity , in which this mechanical excellence of form has manifested itself without ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York