A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
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Pagina 434
... Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of the nature of art which can be formulated into a definition of it . It ...
... Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of the nature of art which can be formulated into a definition of it . It ...
Pagina 435
... theory of art is . In this essay I want to plead for the rejection of this problem . I want to show that theory — in the requisite classical sense - is never forthcoming in esthetics , and that we would do much better as philosophers to ...
... theory of art is . In this essay I want to plead for the rejection of this problem . I want to show that theory — in the requisite classical sense - is never forthcoming in esthetics , and that we would do much better as philosophers to ...
Pagina 454
... theory constitute distinct , and probably separate sets of questions . A survey of recent esthetic theory bears this out . Since the time of Hegel and of Schopenhauer there have been comparatively few influential esthetic theories which ...
... theory constitute distinct , and probably separate sets of questions . A survey of recent esthetic theory bears this out . Since the time of Hegel and of Schopenhauer there have been comparatively few influential esthetic theories which ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York