A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 32
... things . The highest , as the lowest , form of criticism is a mode of autobiography . Those who find ugly meanings in beautiful things are corrupt without being charming . This is a fault . Those who find beautiful meanings in beautiful ...
... things . The highest , as the lowest , form of criticism is a mode of autobiography . Those who find ugly meanings in beautiful things are corrupt without being charming . This is a fault . Those who find beautiful meanings in beautiful ...
Pagina 198
... things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on and say that you have them complete , and have all you want ...
... things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on and say that you have them complete , and have all you want ...
Pagina 381
... things as physical objects — that is , as scientific observation and thought become sophisticated . Thus it is that , in the end , things as physical objects are conceived to consist essentially of " primary qualities , " meaning ...
... things as physical objects — that is , as scientific observation and thought become sophisticated . Thus it is that , in the end , things as physical objects are conceived to consist essentially of " primary qualities , " meaning ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York