A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 51
... tion of light and shade , etc. The instinctive search after this kind of emo- tion or pleasure , the special organ of which is the eye , has given birth to what are called the arts of design - sculpture , painting and architecture . We ...
... tion of light and shade , etc. The instinctive search after this kind of emo- tion or pleasure , the special organ of which is the eye , has given birth to what are called the arts of design - sculpture , painting and architecture . We ...
Pagina 291
... tion is clear , for who has not said that such and such a drawing was excellent as illustration , but as a work of art worthless ? Of course many descriptive pictures possess , amongst other qualities , formal significance , and are ...
... tion is clear , for who has not said that such and such a drawing was excellent as illustration , but as a work of art worthless ? Of course many descriptive pictures possess , amongst other qualities , formal significance , and are ...
Pagina 501
... tion which is but one step away from paralysis . But in the application of mechanical instruments to the arts it is not the machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with ...
... tion which is but one step away from paralysis . But in the application of mechanical instruments to the arts it is not the machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York