A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 105
... tragedy taught resignation ( that is , a meek renunciation of happiness , hope , and of the will to live ) , this would presuppose an art in which art itself was denied . Tragedy would then constitute a process of dissolution ; the ...
... tragedy taught resignation ( that is , a meek renunciation of happiness , hope , and of the will to live ) , this would presuppose an art in which art itself was denied . Tragedy would then constitute a process of dissolution ; the ...
Pagina 230
... tragedy . In comedy , the one - sidedness is ridiculous and not too serious ; in tragedy , it is catastrophic . Tragedy involves conflict between forces which are each , in a limited way , justifiable . That which is destroyed in the ...
... tragedy . In comedy , the one - sidedness is ridiculous and not too serious ; in tragedy , it is catastrophic . Tragedy involves conflict between forces which are each , in a limited way , justifiable . That which is destroyed in the ...
Pagina 359
... tragedy . It has always — except in highly distanced tragedy - been a popular objection to it that " there is enough sadness in life without going to the theater for it . " Already Aristotle appears to have met with this view among his ...
... tragedy . It has always — except in highly distanced tragedy - been a popular objection to it that " there is enough sadness in life without going to the theater for it . " Already Aristotle appears to have met with this view among his ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York