A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 74
Pagina 306
... Unity The concept of " organic unity , " or more loosely , " unity in variety , " is commonly traced back to classical antiquity , though there is in fact little about it in the surviving literature . The not entirely happy metaphor ...
... Unity The concept of " organic unity , " or more loosely , " unity in variety , " is commonly traced back to classical antiquity , though there is in fact little about it in the surviving literature . The not entirely happy metaphor ...
Pagina 307
... unity as applied to works of art . In the Poetics , Aristotle applies his concept of unity to drama ( chs . 7 and 8 ) . The plot , he says , must represent an action which is " whole and complete and of a certain magnitude . " A whole ...
... unity as applied to works of art . In the Poetics , Aristotle applies his concept of unity to drama ( chs . 7 and 8 ) . The plot , he says , must represent an action which is " whole and complete and of a certain magnitude . " A whole ...
Pagina 390
... unity is desirable in the work , or that intensity of regional quality is desirable in the work . If we press farther , however , and ask the critic why greater unity would help to make the work a better one , this question too ...
... unity is desirable in the work , or that intensity of regional quality is desirable in the work . If we press farther , however , and ask the critic why greater unity would help to make the work a better one , this question too ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York