A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 274
... vision and in the area of motivation and " personality " . For the purpose of analysis these factors can be discussed separately . Actually , they interact all the time . Also a more complete pres- entation would require consideration ...
... vision and in the area of motivation and " personality " . For the purpose of analysis these factors can be discussed separately . Actually , they interact all the time . Also a more complete pres- entation would require consideration ...
Pagina 364
... vision goes right through the glass to be fixed upon the flowers and the foliage . Since the goal of vision is the garden , whereupon the visual ray is cast , our glance will penetrate through the glass without stopping to perceive it ...
... vision goes right through the glass to be fixed upon the flowers and the foliage . Since the goal of vision is the garden , whereupon the visual ray is cast , our glance will penetrate through the glass without stopping to perceive it ...
Pagina 398
... vision . In itself , this concept is not dialectical in origin , and has been widely used by Dilthey and his school . Unfortunately , they have done so in a very vague way , and have never succeeded in giving it anything like a ...
... vision . In itself , this concept is not dialectical in origin , and has been widely used by Dilthey and his school . Unfortunately , they have done so in a very vague way , and have never succeeded in giving it anything like a ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York