A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 307
... whole " cannot retain its own character except in the whole of which it is a part . He also says that removal of a part is apt to make the whole mutilated and any transposition of the parts will damage or even destroy its unity . The ...
... whole " cannot retain its own character except in the whole of which it is a part . He also says that removal of a part is apt to make the whole mutilated and any transposition of the parts will damage or even destroy its unity . The ...
Pagina 323
... whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for movement determines the loosening of boundaries , the ...
... whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for movement determines the loosening of boundaries , the ...
Pagina 395
... whole , living man . And in his turn , this man is only an element in a whole made up of the social group to which he belongs . An idea which he expresses or a book which he writes can acquire their real meaning for us , and can be ...
... whole , living man . And in his turn , this man is only an element in a whole made up of the social group to which he belongs . An idea which he expresses or a book which he writes can acquire their real meaning for us , and can be ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York