A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 95
Pagina 122
... word ; the other is a story reaction . Because words are few they are what Freud called " over - determined . " One word has many affective associations because it has many “ meanings " ( for example , the word " brute " can mean a ...
... word ; the other is a story reaction . Because words are few they are what Freud called " over - determined . " One word has many affective associations because it has many “ meanings " ( for example , the word " brute " can mean a ...
Pagina 129
... word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of dif- ferent circumstances in which the word was used . It is these associations that provided the latent content of affect which is ...
... word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of dif- ferent circumstances in which the word was used . It is these associations that provided the latent content of affect which is ...
Pagina 131
... word into contact . It is like a switch- board ; some of the affective associations fade away directly they enter it , others run down into other words and alter their color ; others blend to- gether and heighten a particular word . The ...
... word into contact . It is like a switch- board ; some of the affective associations fade away directly they enter it , others run down into other words and alter their color ; others blend to- gether and heighten a particular word . The ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York