A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 96
... world ; and the Dionysian music in particular excited awe and terror . If ... vision . 3 To understand this , it becomes necessary to level the artistic ... world , and in this sense Apollo is its father . What terrific need was it that ...
... world ; and the Dionysian music in particular excited awe and terror . If ... vision . 3 To understand this , it becomes necessary to level the artistic ... world , and in this sense Apollo is its father . What terrific need was it that ...
Pagina 275
... visual dynamics is not inherent in the physical ... vision . The detached , measuring gaze of the investigator in the laboratory preserves little of the spontaneous excitement which the child , the primitive , the artist find in the world ...
... visual dynamics is not inherent in the physical ... vision . The detached , measuring gaze of the investigator in the laboratory preserves little of the spontaneous excitement which the child , the primitive , the artist find in the world ...
Pagina 398
... world vision . In itself , this concept is not dialectical in origin , and has been widely used by Dilthey and his school . Unfortunately , they have done so in a very vague way , and have never succeeded in giving it anything like a ...
... world vision . In itself , this concept is not dialectical in origin , and has been widely used by Dilthey and his school . Unfortunately , they have done so in a very vague way , and have never succeeded in giving it anything like a ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York