Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 100
... Bell conveys the impression that the thing he is referring to can only be intuited but never precisely described . Bell's description is devoted largely to in- forming his readers what significant form is not . In music , for ex- ample , ...
... Bell conveys the impression that the thing he is referring to can only be intuited but never precisely described . Bell's description is devoted largely to in- forming his readers what significant form is not . In music , for ex- ample , ...
Pagina 117
... Bell does ; hence their term " expressive form " rather than " significant form , " since the latter term has been used by Bell to denote a significance which has nothing to do with the significance of anything in life . As we have seen ...
... Bell does ; hence their term " expressive form " rather than " significant form , " since the latter term has been used by Bell to denote a significance which has nothing to do with the significance of anything in life . As we have seen ...
Pagina 211
... Bell would hold that this is all that is necessary ( life - values , he would say , are irrelevant ) ; but many more would agree that this at least is necessary . Let us , then , see whether our truths are esthetically relevant in the ...
... Bell would hold that this is all that is necessary ( life - values , he would say , are irrelevant ) ; but many more would agree that this at least is necessary . Let us , then , see whether our truths are esthetically relevant in the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words