Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 155
... Max Eastman spends a good part of his time in The Literary Mind showing that with the rapid march of science in modern times , “ poetic truth " is rapidly being squeezed out , never to return . Science , says Mr. Eastman , finds out ...
... Max Eastman spends a good part of his time in The Literary Mind showing that with the rapid march of science in modern times , “ poetic truth " is rapidly being squeezed out , never to return . Science , says Mr. Eastman , finds out ...
Pagina 156
... Eastman , includes ( 1 ) statements which may be true but have not yet been capable of being verified one way or the ... Max Eastman , The Literary Mind , p . 243 . ing ; and as long as what we are invited 156 MEANING AND TRUTH IN THE ARTS.
... Eastman , includes ( 1 ) statements which may be true but have not yet been capable of being verified one way or the ... Max Eastman , The Literary Mind , p . 243 . ing ; and as long as what we are invited 156 MEANING AND TRUTH IN THE ARTS.
Pagina 175
... Max Eastman , " suggests the qualities of experience , " and he makes this notion the cornerstone of his whole theory of poetry . We have already noted Mr. Eastman's protests against the notion that poetry's function is to give us ...
... Max Eastman , " suggests the qualities of experience , " and he makes this notion the cornerstone of his whole theory of poetry . We have already noted Mr. Eastman's protests against the notion that poetry's function is to give us ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words