Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 71
... Professor Reid offers a criticism of Santayana's theory of expres- sion which is perhaps of more importance than the one just given . His contention is that Santayana uses the word “ express ” in too narrow a manner . " Mr. Santayana ...
... Professor Reid offers a criticism of Santayana's theory of expres- sion which is perhaps of more importance than the one just given . His contention is that Santayana uses the word “ express ” in too narrow a manner . " Mr. Santayana ...
Pagina 160
... Professor Greene's claims on this point is necessary . Professor Greene might have sought a way out which in fact he does not , namely , to say that works of art are implied assertions even if they are not themselves assertions ( or ...
... Professor Greene's claims on this point is necessary . Professor Greene might have sought a way out which in fact he does not , namely , to say that works of art are implied assertions even if they are not themselves assertions ( or ...
Pagina 197
... Professor James ( after Coleridge ) calls the " primary imagination " ; and , continues Professor James , in the same way that the world of common experience is an imaginative synthesis of the given data of sense , the world of poetry ...
... Professor James ( after Coleridge ) calls the " primary imagination " ; and , continues Professor James , in the same way that the world of common experience is an imaginative synthesis of the given data of sense , the world of poetry ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words