Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 40
... actual existing persons or scenes , and litera- ture ( especially novels ) may imitate with greater or less fidelity the actual sequence of historical events . ( Just how closely this ideal of " pure realism " can be achieved will be ...
... actual existing persons or scenes , and litera- ture ( especially novels ) may imitate with greater or less fidelity the actual sequence of historical events . ( Just how closely this ideal of " pure realism " can be achieved will be ...
Pagina 114
... actual life . . . . Or it may be that art really calls up , as it were , the residual traces left on the spirit by the different emotions of life , without however recalling the actual experiences , so that we get an 65. Barnes , op ...
... actual life . . . . Or it may be that art really calls up , as it were , the residual traces left on the spirit by the different emotions of life , without however recalling the actual experiences , so that we get an 65. Barnes , op ...
Pagina 149
... actual historical ones ; and even if some actual observed scene might have served as ( secondary ) material for some scene in the novel , it was never an exact model . And the moment we get away from accurate , literal historical truth ...
... actual historical ones ; and even if some actual observed scene might have served as ( secondary ) material for some scene in the novel , it was never an exact model . And the moment we get away from accurate , literal historical truth ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words