Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 113
... aspect . . . . But the " shifting " is not from mere " dramatic , " mere " psychological " in- terest , to mere formal interest . It is only , if the experience be an esthetic one , an emphasis on aspects of a whole , in which one aspect ...
... aspect . . . . But the " shifting " is not from mere " dramatic , " mere " psychological " in- terest , to mere formal interest . It is only , if the experience be an esthetic one , an emphasis on aspects of a whole , in which one aspect ...
Pagina 148
... aspect of that ; and the fact of his selecting one thing at the expense of another would indicate his own pre ... aspects of what he sees . Zola himself , in taking Nana through a single day , had to select certain occurrences and ...
... aspect of that ; and the fact of his selecting one thing at the expense of another would indicate his own pre ... aspects of what he sees . Zola himself , in taking Nana through a single day , had to select certain occurrences and ...
Pagina 226
... aspects of reality are in which the artist is interested , how he organizes his work to reveal and organize these aspects ..... 66 10 In other words , as Dr. Barnes says very soon afterwards , art does give us " insight into reality ...
... aspects of reality are in which the artist is interested , how he organizes his work to reveal and organize these aspects ..... 66 10 In other words , as Dr. Barnes says very soon afterwards , art does give us " insight into reality ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words