Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 68
John Hospers. quality thus acquired by objects through association is what we call their expression ... Expression ... associations which may make them precious . The value is confined to the images of the memory ; they are too clear to ...
John Hospers. quality thus acquired by objects through association is what we call their expression ... Expression ... associations which may make them precious . The value is confined to the images of the memory ; they are too clear to ...
Pagina 71
... association . For Mr. Santay- ana , neither sense - data nor forms can be expressive , for expression is wholly a function of association . We get thus in his scheme three distinct kinds of beauty : material or sensuous beauty , formal ...
... association . For Mr. Santay- ana , neither sense - data nor forms can be expressive , for expression is wholly a function of association . We get thus in his scheme three distinct kinds of beauty : material or sensuous beauty , formal ...
Pagina 72
... associations through their intrinsic suggestiveness rather than by the reverse process . Their effects cannot be entirely due to association . A certain kind of crude pink comes to have vulgar associations because something in pinkness ...
... associations through their intrinsic suggestiveness rather than by the reverse process . Their effects cannot be entirely due to association . A certain kind of crude pink comes to have vulgar associations because something in pinkness ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words