Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 7
... attitude . I have not defined the esthetic attitude . I do not think it is pos- sible to define it in other words . Like all expressions which refer to experiences or states of feeling , one must have had the experi- ence to know what ...
... attitude . I have not defined the esthetic attitude . I do not think it is pos- sible to define it in other words . Like all expressions which refer to experiences or states of feeling , one must have had the experi- ence to know what ...
Pagina 8
... attitude toward them - and this can be esthetic on some occasions and not on others . It is important to remember also that the esthetic attitude may be co - present with other attitudes , and only occasionally is present exclusively ...
... attitude toward them - and this can be esthetic on some occasions and not on others . It is important to remember also that the esthetic attitude may be co - present with other attitudes , and only occasionally is present exclusively ...
Pagina 230
... attitude , an attitude taken up by the artist Era consequent upon his perceptions , which perceptions may b of factors in reality .... 16 Poss Papproach perceptions Beethoven does not communicate to us his perceptions or his experi ...
... attitude , an attitude taken up by the artist Era consequent upon his perceptions , which perceptions may b of factors in reality .... 16 Poss Papproach perceptions Beethoven does not communicate to us his perceptions or his experi ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words