Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 12
... beauty , " or what I have called " life - values . " 8. The tripartite division into surface , form , and life ... beauty , formal beauty , and expressive beauty in his book The Sense of Beauty . 9 emotions from memory and experience ...
... beauty , " or what I have called " life - values . " 8. The tripartite division into surface , form , and life ... beauty , formal beauty , and expressive beauty in his book The Sense of Beauty . 9 emotions from memory and experience ...
Pagina 120
... beauty is indefeasibly humanistic , not only properly but inescapably ideal , repre- sentative , expressive , and evocative - which is another way of saying that it is inescapably related to that system of needs , interests , and ...
... beauty is indefeasibly humanistic , not only properly but inescapably ideal , repre- sentative , expressive , and evocative - which is another way of saying that it is inescapably related to that system of needs , interests , and ...
Pagina 137
... beauty lies chiefly in the thick dimension , it may be artistically great without having much formal or surface beauty ( Dostoyevsky , Van Gogh ) . The extent to which artistic greatness may be present without beauty in the thin sense ...
... beauty lies chiefly in the thick dimension , it may be artistically great without having much formal or surface beauty ( Dostoyevsky , Van Gogh ) . The extent to which artistic greatness may be present without beauty in the thin sense ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words