Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 54
... certain combination of notes is sounded ( and it may vary greatly with the context of surround- ing notes ) , we are supposed " naturally " to have some unique emotional state ( and since emotional states of any complexity are difficult ...
... certain combination of notes is sounded ( and it may vary greatly with the context of surround- ing notes ) , we are supposed " naturally " to have some unique emotional state ( and since emotional states of any complexity are difficult ...
Pagina 57
... certain felt effects are naturally ( some might say necessarily though the meaning of that term in this context is far from clear ) connected with certain combinations of notes , that is , naturally evoked by them . He tries to show ...
... certain felt effects are naturally ( some might say necessarily though the meaning of that term in this context is far from clear ) connected with certain combinations of notes , that is , naturally evoked by them . He tries to show ...
Pagina 58
John Hospers. Now such a study may be very useful for certain purposes , e.g. , for enterprising young composers who want to achieve certain effects ; but its value for our study is limited by the fact that when we talk about " sense of ...
John Hospers. Now such a study may be very useful for certain purposes , e.g. , for enterprising young composers who want to achieve certain effects ; but its value for our study is limited by the fact that when we talk about " sense of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words