Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 167
... common with other human beings and hence is not " of our ken " ( such as the inmates of certain asylums ) . The person portrayed must be a full - bodied individual just as much as he must embody the universal char- acters common to ...
... common with other human beings and hence is not " of our ken " ( such as the inmates of certain asylums ) . The person portrayed must be a full - bodied individual just as much as he must embody the universal char- acters common to ...
Pagina 197
... common every - day experience is not equivalent to that which is given to us through the senses , but is an ... common experience is an imaginative synthesis of the given data of sense , the world of poetry is an imaginative synthesis or ...
... common every - day experience is not equivalent to that which is given to us through the senses , but is an ... common experience is an imaginative synthesis of the given data of sense , the world of poetry is an imaginative synthesis or ...
Pagina 204
... common term " truth " to refer to them both may be unjustifiable , even after the meanings of the word in the two kinds of cases have been made clear . In this chapter I have started out with a fairly common - sense accepta- tion of ...
... common term " truth " to refer to them both may be unjustifiable , even after the meanings of the word in the two kinds of cases have been made clear . In this chapter I have started out with a fairly common - sense accepta- tion of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words