Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 26
... composition . The two constitute material of two different orders or dimensions . In the same way , the world of experience- or more specifically the author's experience — is the secondary ma- terial of literature , and words and ...
... composition . The two constitute material of two different orders or dimensions . In the same way , the world of experience- or more specifically the author's experience — is the secondary ma- terial of literature , and words and ...
Pagina 27
... composition is about emotions , and how would such an assertion be established ? Is it not enough to say that the composer wrote his composition as a result of certain experiences ( including emotions ) and that the composition when ...
... composition is about emotions , and how would such an assertion be established ? Is it not enough to say that the composer wrote his composition as a result of certain experiences ( including emotions ) and that the composition when ...
Pagina 65
... composition expresses melan- choly , " I believe we are saying something about the effect of the composition on us . " Express " in this sense is always " to you " or " to me . " What the composition expresses to you it may not express ...
... composition expresses melan- choly , " I believe we are saying something about the effect of the composition on us . " Express " in this sense is always " to you " or " to me . " What the composition expresses to you it may not express ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words