Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 79
... criticism looks , " Gurney remarks , “ . we see how impossible it would be for a musician deliberately to work it up ... critics sometimes hardly understand the tenth part of what they talk about . Good heavens ! will the day ever come ...
... criticism looks , " Gurney remarks , “ . we see how impossible it would be for a musician deliberately to work it up ... critics sometimes hardly understand the tenth part of what they talk about . Good heavens ! will the day ever come ...
Pagina 212
... critics would not be so stringent in their requirements of artistic relevance ; most critics , I am sure , would say that the fact that a Rembrandt painting presents a strong , " true " characterization makes it a better painting ...
... critics would not be so stringent in their requirements of artistic relevance ; most critics , I am sure , would say that the fact that a Rembrandt painting presents a strong , " true " characterization makes it a better painting ...
Pagina 218
... criticism is no longer poetic criticism . Homer and Hardy are great poets , but not because they entertained certain ... critics declare are not present even implicitly ) on the subject of evil any more palatable than they were before ...
... criticism is no longer poetic criticism . Homer and Hardy are great poets , but not because they entertained certain ... critics declare are not present even implicitly ) on the subject of evil any more palatable than they were before ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words