Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 7
... defined the esthetic attitude . I do not think it is pos- sible to define it in other words . Like all expressions which refer to experiences or states of feeling , one must have had the experi- ence to know what it is like . It is ...
... defined the esthetic attitude . I do not think it is pos- sible to define it in other words . Like all expressions which refer to experiences or states of feeling , one must have had the experi- ence to know what it is like . It is ...
Pagina 58
... define something out of existence by refusing to give a certain name to a phenomenon that has usually been designated ... defined it . But the fact remains that the usual usage of the term is psychologi- cal or experiential , and applies ...
... define something out of existence by refusing to give a certain name to a phenomenon that has usually been designated ... defined it . But the fact remains that the usual usage of the term is psychologi- cal or experiential , and applies ...
Pagina 209
... definition and see whether , on that definition , this or that particu- lar element appearing in a work of art is relevant to it as a work of art . First of all , however , we must avoid a confusion into which it is dangerously easy to ...
... definition and see whether , on that definition , this or that particu- lar element appearing in a work of art is relevant to it as a work of art . First of all , however , we must avoid a confusion into which it is dangerously easy to ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words