Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 207
... discussed in the previous chapter , and the " truths " ( either of human nature or " truth - to felt experience " ) discussed in this one - are , when they occur in a work of art , relevant to it as a work of art . 7 The Artistic ...
... discussed in the previous chapter , and the " truths " ( either of human nature or " truth - to felt experience " ) discussed in this one - are , when they occur in a work of art , relevant to it as a work of art . 7 The Artistic ...
Pagina 223
... discussed throughout Chapter VI . And since this , the most im- portant sense of " reality " relevant to works of art , has been discussed in detail already , there is no point in going over it again . And thus the present discussion of ...
... discussed throughout Chapter VI . And since this , the most im- portant sense of " reality " relevant to works of art , has been discussed in detail already , there is no point in going over it again . And thus the present discussion of ...
Pagina 250
... discussed . Ex- amples from music occur throughout the text . See names of individual.com- posers ; also Expression , Materials , Subject - matter , Symbols . ) Mussorgsky , 43 , 46 Nagel , Ernest , quoted , 61 , 158 , 238 ; mentioned ...
... discussed . Ex- amples from music occur throughout the text . See names of individual.com- posers ; also Expression , Materials , Subject - matter , Symbols . ) Mussorgsky , 43 , 46 Nagel , Ernest , quoted , 61 , 158 , 238 ; mentioned ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words