Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 178
... essence , an aspect of the perceived world ; and the insight we get from them enriches our subsequent perception of the world around us . The more of these " essences " are revealed through poetry , the greater the enhance- ment of our ...
... essence , an aspect of the perceived world ; and the insight we get from them enriches our subsequent perception of the world around us . The more of these " essences " are revealed through poetry , the greater the enhance- ment of our ...
Pagina 203
... essence , enhances our imaginative vision , is true - to experience . Whether the poet has given us knowledge about the world is , as Professor James says , irrelevant ; it is the " truth " of the imaginative vision that matters . And ...
... essence , enhances our imaginative vision , is true - to experience . Whether the poet has given us knowledge about the world is , as Professor James says , irrelevant ; it is the " truth " of the imaginative vision that matters . And ...
Pagina 223
... essence , " some " truth - to . " It will be seen at once that when we say something is real in this sense , we are talking about exactly the same sort of thing we discussed throughout Chapter VI . And since this , the most im- portant ...
... essence , " some " truth - to . " It will be seen at once that when we say something is real in this sense , we are talking about exactly the same sort of thing we discussed throughout Chapter VI . And since this , the most im- portant ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words