Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 121
... example — are the proper subject of poetry . " And this contention is not under discussion here ; what is of immediate relevance is that Moore's theory is not analogous to Hanslick's and Bell's . He is not advocating a complete ...
... example — are the proper subject of poetry . " And this contention is not under discussion here ; what is of immediate relevance is that Moore's theory is not analogous to Hanslick's and Bell's . He is not advocating a complete ...
Pagina 155
... example , statements like " This chair is brown , " and " Lucy has a clear complexion , " while they are empirical truths , are not of the sort found in scientific textbooks , although as individual facts they may furnish material for ...
... example , statements like " This chair is brown , " and " Lucy has a clear complexion , " while they are empirical truths , are not of the sort found in scientific textbooks , although as individual facts they may furnish material for ...
Pagina 187
... example quoted above , the distortion is the " necessary distortion " required for the revelation of " inner truth . " For example : Monet . . . was primarily interested in the portrayal of light and luminous color . These qualities ...
... example quoted above , the distortion is the " necessary distortion " required for the revelation of " inner truth . " For example : Monet . . . was primarily interested in the portrayal of light and luminous color . These qualities ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
2 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words