Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 21
... existence out- side Aeschylus ' drama - likewise Henry IV ( in Shakespeare's play ) and Rembrandt ( in any of his Self - Portraits ) . In these latter cases the subject - matter existed outside the work of art and was there before the ...
... existence out- side Aeschylus ' drama - likewise Henry IV ( in Shakespeare's play ) and Rembrandt ( in any of his Self - Portraits ) . In these latter cases the subject - matter existed outside the work of art and was there before the ...
Pagina 39
... existence , distinguish their various types , and eliminate certain confusions current in discussions of them . The conceptual framework , not the individual examples of things falling within that framework , is the business of this ...
... existence , distinguish their various types , and eliminate certain confusions current in discussions of them . The conceptual framework , not the individual examples of things falling within that framework , is the business of this ...
Pagina 221
... existence " must be de- fined in terms of possible experience ? ) And if , on the other hand , we could experience it , then how could it be transcendent ? In any event , I do not see how any such " reality " could be of help to us in ...
... existence " must be de- fined in terms of possible experience ? ) And if , on the other hand , we could experience it , then how could it be transcendent ? In any event , I do not see how any such " reality " could be of help to us in ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words