Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 118
... fact that they are important , however , is easily seen by noting the effect produced when they are lacking : I was present at a film which recorded the work of rescue from a ship wrecked off the coast of Portugal . One saw at a ...
... fact that they are important , however , is easily seen by noting the effect produced when they are lacking : I was present at a film which recorded the work of rescue from a ship wrecked off the coast of Portugal . One saw at a ...
Pagina 156
... facts it contains , else we are enjoying it as science and not as literature . Now certainly it is true that literature ... fact of its being nicely written may increase the emotional urge to accept it as true ; and it is just here that ...
... facts it contains , else we are enjoying it as science and not as literature . Now certainly it is true that literature ... fact of its being nicely written may increase the emotional urge to accept it as true ; and it is just here that ...
Pagina 165
... fact , a picture of life with all its triviali- ties and accidents . The world of the possible which poetry creates is more intelligible than the world of experience . The poet presents perma- nent and eternal facts , free from the ...
... fact , a picture of life with all its triviali- ties and accidents . The world of the possible which poetry creates is more intelligible than the world of experience . The poet presents perma- nent and eternal facts , free from the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words