Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 73
Pagina 58
... feeling which may result from hearing these sounds . Sup- pose that a listener heard a passage of music fulfilling all of Pro- fessor Pratt's criteria for “ sense of finality ” but failed to have the experience of " finality " or ...
... feeling which may result from hearing these sounds . Sup- pose that a listener heard a passage of music fulfilling all of Pro- fessor Pratt's criteria for “ sense of finality ” but failed to have the experience of " finality " or ...
Pagina 63
... feeling joy . And if it should turn out that he is not actually feeling joy , then our inference was a mistaken one . That is , whether his face ex- presses joy or not depends ( in part at least ) not upon whether the sight of his face ...
... feeling joy . And if it should turn out that he is not actually feeling joy , then our inference was a mistaken one . That is , whether his face ex- presses joy or not depends ( in part at least ) not upon whether the sight of his face ...
Pagina 92
... feelings , and indeed those feelings primarily as out of the esthetic status , that is to say , as mere accompaniments or incidents of practical endeavor of one sort or another . But to one such named feeling , there are a thousand that ...
... feelings , and indeed those feelings primarily as out of the esthetic status , that is to say , as mere accompaniments or incidents of practical endeavor of one sort or another . But to one such named feeling , there are a thousand that ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words