Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 55
... given listener and the emotional effect evoked in him by those notes ; why one reaction should be more natural than another I cannot imagine . Is it natural for us to feel solemn and religious in the presence of funeral marches ? But ...
... given listener and the emotional effect evoked in him by those notes ; why one reaction should be more natural than another I cannot imagine . Is it natural for us to feel solemn and religious in the presence of funeral marches ? But ...
Pagina 76
... given meaning by someone ; lacking this , it is simply a row of marks on paper or uttered sounds . Most of the words in our language have been given meanings long ago , and this meaning has been agreed upon by the users of our language ...
... given meaning by someone ; lacking this , it is simply a row of marks on paper or uttered sounds . Most of the words in our language have been given meanings long ago , and this meaning has been agreed upon by the users of our language ...
Pagina 197
... given to us through the senses , but is an imaginative construction out of these given materials . All that is strictly given is sense - data , but what we really see are wholes , unities , objects ; all that is given is a number of ...
... given to us through the senses , but is an imaginative construction out of these given materials . All that is strictly given is sense - data , but what we really see are wholes , unities , objects ; all that is given is a number of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
2 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words