Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 52
... hear at a performance ) I cannot find any emotion in it . All I can really assert to be in the music is the particular combination of notes and rests which is indicated by the score or played by the performers.29 If someone were to say ...
... hear at a performance ) I cannot find any emotion in it . All I can really assert to be in the music is the particular combination of notes and rests which is indicated by the score or played by the performers.29 If someone were to say ...
Pagina 97
... hear- ing the music is never the sadness of personal bereavement , and yet the word is used in describing the music because of some felt correspondence between it and the emotion of daily life . There is a recognizable similarity , yet ...
... hear- ing the music is never the sadness of personal bereavement , and yet the word is used in describing the music because of some felt correspondence between it and the emotion of daily life . There is a recognizable similarity , yet ...
Pagina 179
... hear , I think I am seeing , I think I am hearing everything , and when I examine myself I think I am examining my own mind . But I am not . What I see and hear is simply a selection made by my senses to serve as a light for my conduct ...
... hear , I think I am seeing , I think I am hearing everything , and when I examine myself I think I am examining my own mind . But I am not . What I see and hear is simply a selection made by my senses to serve as a light for my conduct ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words