Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 199
... imaginative prehension of the world . The question of the abstract truth or otherwise of a play or poem simply does not occur in imaginative experience ; for poetry is not a number of propositions , but the conveyance of imaginative ...
... imaginative prehension of the world . The question of the abstract truth or otherwise of a play or poem simply does not occur in imaginative experience ; for poetry is not a number of propositions , but the conveyance of imaginative ...
Pagina 200
... imaginative world ; as we have seen , the question of ultimate truth remains unanswered . " And " the primary fact about poetry is that in and through it an imaginative object is conveyed . " 55 And at the very end of the book , " I ...
... imaginative world ; as we have seen , the question of ultimate truth remains unanswered . " And " the primary fact about poetry is that in and through it an imaginative object is conveyed . " 55 And at the very end of the book , " I ...
Pagina 203
... imaginative picture of something we all find " true " in our experience . It presents a communicable essence , enhances our imaginative vision , is true - to experience . Whether the poet has given us knowledge about the world is , as ...
... imaginative picture of something we all find " true " in our experience . It presents a communicable essence , enhances our imaginative vision , is true - to experience . Whether the poet has given us knowledge about the world is , as ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words