Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 22
... important ; what the artist does with them is what is important . Yet they are of some importance since we do criticize a novel or drama by saying that it has a weak plot ; and this is criticism not of anything outside the drama or ...
... important ; what the artist does with them is what is important . Yet they are of some importance since we do criticize a novel or drama by saying that it has a weak plot ; and this is criticism not of anything outside the drama or ...
Pagina 119
... important one , and Mr. T. E. Jessop makes it the basis of a very important distinction between literature and all the other arts . The latter he calls sensory arts , the former , ideo - sensory : In literature the medium is not , and ...
... important one , and Mr. T. E. Jessop makes it the basis of a very important distinction between literature and all the other arts . The latter he calls sensory arts , the former , ideo - sensory : In literature the medium is not , and ...
Pagina 123
... importance , and the referents are all - important . Writers in the exact sciences deliberately set out to restrict their words to this purely symbolic use , to " take all the color out of them . " They want to communicate ; they are ...
... importance , and the referents are all - important . Writers in the exact sciences deliberately set out to restrict their words to this purely symbolic use , to " take all the color out of them . " They want to communicate ; they are ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words