Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 59
... language of the emotions , " the truth of this statement depends on what it was intended to mean . If it means simply that music evokes certain effects that are unique and different from any which we would get elsewhere , then ( as we ...
... language of the emotions , " the truth of this statement depends on what it was intended to mean . If it means simply that music evokes certain effects that are unique and different from any which we would get elsewhere , then ( as we ...
Pagina 91
... language , not on any lack of relation between the states and events and situations which language normally describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only ...
... language , not on any lack of relation between the states and events and situations which language normally describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only ...
Pagina 130
... language descriptively . The words of the poem , to use T. S. Eliot's terminology , are the objective correlative ... language . For the logical ( referential ) meaning of words alone can be translated from one language into another ...
... language descriptively . The words of the poem , to use T. S. Eliot's terminology , are the objective correlative ... language . For the logical ( referential ) meaning of words alone can be translated from one language into another ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words