Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 76
... least it has no standard meaning ( reference ) in that context ; different persons may mean ( intend ) different things by it , though for the most part I do not think they know what they really are after when they ask it . And in the ...
... least it has no standard meaning ( reference ) in that context ; different persons may mean ( intend ) different things by it , though for the most part I do not think they know what they really are after when they ask it . And in the ...
Pagina 103
... least satisfactory , kind , and the imagination turns from it , if not with disgust , at least with relief at having done with so boring a performance . But on the other hand our contemplation of plastic and spatial relations is ...
... least satisfactory , kind , and the imagination turns from it , if not with disgust , at least with relief at having done with so boring a performance . But on the other hand our contemplation of plastic and spatial relations is ...
Pagina 206
... least ( certainly not all ) give us " truth - about " ? I think there is a difference . Appreciation of painting gives us new " ways of seeing " but no knowledge , no facts , no propositions ; so also with music and much literature ...
... least ( certainly not all ) give us " truth - about " ? I think there is a difference . Appreciation of painting gives us new " ways of seeing " but no knowledge , no facts , no propositions ; so also with music and much literature ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words