Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 11
... less impressive than many which we value less highly - a portrait presenting a powerful characterization , for example , even one which in a certain way is repulsive , such as Rembrandt's " Old Woman Paring Her Nails . " The sensuous ...
... less impressive than many which we value less highly - a portrait presenting a powerful characterization , for example , even one which in a certain way is repulsive , such as Rembrandt's " Old Woman Paring Her Nails . " The sensuous ...
Pagina 41
... less and less , that which is imitated becomes less and less the " model " which is copied and more and more simply a stimulus to the artist or foundation from which the rest was built through his creative imagination - it becomes ...
... less and less , that which is imitated becomes less and less the " model " which is copied and more and more simply a stimulus to the artist or foundation from which the rest was built through his creative imagination - it becomes ...
Pagina 237
... less stop to analyze . Surely to fail to attribute this noetic value to the arts is not to deprive them of signficance or value in any way . Does it make the arts , or our experiences of them , any the less precious ? Must we always go ...
... less stop to analyze . Surely to fail to attribute this noetic value to the arts is not to deprive them of signficance or value in any way . Does it make the arts , or our experiences of them , any the less precious ? Must we always go ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words