Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 55
... lines give the effect of restfulness , jagged lines of conflict and turmoil , vertical lines of attention and unrest , some lines of voluptuousness , others of ease , etc. But there are endless exceptions to this , and in any case is it ...
... lines give the effect of restfulness , jagged lines of conflict and turmoil , vertical lines of attention and unrest , some lines of voluptuousness , others of ease , etc. But there are endless exceptions to this , and in any case is it ...
Pagina 72
... lines express the " values " of directness , unwaveringness , what can be called , in rather feeble language , rectilinear efficiency . Horizontal lines suggest — and not , I think , through association only - stability and balance ...
... lines express the " values " of directness , unwaveringness , what can be called , in rather feeble language , rectilinear efficiency . Horizontal lines suggest — and not , I think , through association only - stability and balance ...
Pagina 101
... lines intersecting at right angles ; nevertheless he does not intend to ex- clude life - values . Impressed by the vastness of nature , I was trying to express its ex- pansion , rest , and unity . At the same time , I was fully aware ...
... lines intersecting at right angles ; nevertheless he does not intend to ex- clude life - values . Impressed by the vastness of nature , I was trying to express its ex- pansion , rest , and unity . At the same time , I was fully aware ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words