Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
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Pagina 119
... literature the complexities of form that we find in a great deal of painting and , most of all , in music.75 And if literature's formal potentialities are more limited than those of these other arts , it should be needless to say that ...
... literature the complexities of form that we find in a great deal of painting and , most of all , in music.75 And if literature's formal potentialities are more limited than those of these other arts , it should be needless to say that ...
Pagina 156
... literature . Now certainly it is true that literature is not science , nor is it equipped as science is to " give us the facts . " Insofar as people have gone to literature to learn facts about the world , and accepted literature's ...
... literature . Now certainly it is true that literature is not science , nor is it equipped as science is to " give us the facts . " Insofar as people have gone to literature to learn facts about the world , and accepted literature's ...
Pagina 173
... literature than we do from most textbooks in psychology ; nothing gives us quite the human insight that great literature does . If this were not the case , literature would not occupy so im- portant a place in college curricula , nor ...
... literature than we do from most textbooks in psychology ; nothing gives us quite the human insight that great literature does . If this were not the case , literature would not occupy so im- portant a place in college curricula , nor ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words