Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 19
... material in this sense - in all the arts there are experiences of the artist which are relevant to and leading to ... material from which his work is drawn ) , are materials but in a more remote sense . We may note in passing that no ...
... material in this sense - in all the arts there are experiences of the artist which are relevant to and leading to ... material from which his work is drawn ) , are materials but in a more remote sense . We may note in passing that no ...
Pagina 25
... material ? This points to a distinction to which Professor Greene assigns the names " primary " and " secondary ... material and medium ( there being a primary and secondary of each ) , the medium being only a further stage in the ...
... material ? This points to a distinction to which Professor Greene assigns the names " primary " and " secondary ... material and medium ( there being a primary and secondary of each ) , the medium being only a further stage in the ...
Pagina 26
John Hospers. this sense of " material " —it is what I shall call secondary material.18 But his primary materials are sounds — or , to be more precise , the notes in the Western semitone scale ; it is out of these that he builds his ...
John Hospers. this sense of " material " —it is what I shall call secondary material.18 But his primary materials are sounds — or , to be more precise , the notes in the Western semitone scale ; it is out of these that he builds his ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words